Is Anarchism a “White” Phenomenon?

The heyday of American anarchism around the turn of the twentieth century was dominated by European immigrants who, although racialized by mainstream society, were predominantly ‘white’ by later twentieth-century standards. The number of self-identified Black anarchists was vanishingly small; even the most prominent Black anarchist in US history, Lucy Parsons, denied her own racial ancestry. The reason for Parsons’s repudiation of her Blackness was complex, but it took place in the context of what we would today criticize as the colorblindness of classical anarchism.

Anarchists rejected all forms of racism on principle and the anarchist-influenced Industrial Workers of the World was one of the first unions to organize across racial lines. Most anarchists, however, felt that addressing race directly only served to reify it and divide the working class. This produced a familiar result: in their dedication to universality, anarchists offered little to the particular problems of African Americans. This contributed to the decline of American anarchism and the corresponding rise of competing leftist tendencies that supported revolutionary forms of Black Nationalism, including the Communist Party in the 1930s. Although anarchists contributed to both the post-World War Two Civil Rights Movement and the social movements of the 1960s, anarchism as such remained marginal.

As Love and Rager Joel Olson later reflected, most white anarchists in the late twentieth century – including leading theorists like Murray Bookchin, Bob Black, and Hakim Bey – inherited the racial blindness of their predecessors.

This account of anarchism’s whiteness and its historical decline has become common sense among activists and historians alike. Yet the extent of US anarchism’s whiteness has been overstated – indeed, we can trace an alternative trajectory of anarchists of color who theorized and practiced anarchism in the face of white supremacy.

In the 1910s, for instance, Mexican and US anarchists worked together in the southern border region to aid and spread the Mexican revolution. Latino anarchists in Los Angeles supported Ricardo Flores Magón’s anarchist Partido Liberal Mexicano and helped organize a radical multi-racial workers’ movement that included the Industrial Workers of the World. In the 1930s, Civil Rights leader Ella Baker helped lead an anarchist-inspired organization of Black cooperatives and taught Peter Kropotkin’s Mutual Aid in her classes on cooperative economics.

Recent work on African American history has also emphasized the anarchistic qualities of Black life and revolt, from Saidiya Hartman’s Wayward Lives, Beautiful Experiments (2019) to William C. Anderson’s The Nation on No Map: Black Anarchism and Abolition (2021). Insisting on anarchism’s whiteness can contribute to the marginalization of anarchists of color. Yet despite this alternative tradition of US anarchism, race as such was not central to anarchist praxis until the late twentieth century.

Anarchist racial politics were transformed with the theorization of Black Anarchism as a distinct tendency in the 1980s. Ex-Black Panthers who were imprisoned for revolutionary activity – most notably Lorenzo Kom’boa Ervin, Ashanti Alston, and Kuwasi Balagoon – theorized what they variously called Black Anarchism or New Afrikan Anarchism. While they upheld the Black Panthers as the leading organization of the 1960s, they critiqued the party’s authoritarian and patriarchal tendencies.

Black anarchists synthesized anarchism with Black Nationalism and advocated national self-determination through non-hierarchical federations of Black communes rather than nation-states. This analysis inspired the birth of a generation of Black and people of color anarchist organizations, including the Federation of Black Community Partisans and Anarchist People of Color. Despite the profound contributions of these revolutionaries, however, they remained little known outside of a small number of activists.

This is excerpted from a forthcoming chapter of mine called “Smashing Whiteness: Race, Class, and Punk Subculture in the Love and Rage Revolutionary Anarchist Federation (1989-98)” in the Anarchism and Punk book project: https://anarchismandpunk.noblogs.org

Race, Gender, and Anarchist Cultural Politics

Check out the recording of the panel discussion I organized on Race, Gender, and Anarchist Cultural Politics! (See the description below.) We are thinking about hosting an event series on anarchist history this fall, please reach out if you are interested in participating! You can email me at scb274@cornell.edu

Anarchist movements have not only organized workers and challenged state power, but also produced vibrant cultures of resistance. In this panel, Kirwin Shaffer, Montse Feu, and Spencer Beswick examine how anarchists have engaged with questions of race and gender in their cultural production in Cuba and the United States.

Tracing diasporic networks and grappling with intersectional identities that traversed political and cultural boundaries, the presenters explore the mixed legacy of anarchist movements in their struggles to overcome racialized and gendered limitations to their emancipatory visions. ————————————————————————-

Kirwin Shaffer: “The Multiple Uses of Race, Ethnicity, Gender, and Sexuality in Cuban Anarchist Culture” 0:15

Montse Feu: “Women Fighting Fascist Spain: Protest and Solidarity in the United States” 19:56

Spencer Beswick: “Smashing Whiteness: Race, Class, and Punk Culture in the Love and Rage Revolutionary Anarchist Federation” 37:30

————————————————————————-

Panelists:

• Kirwin Shaffer is Professor of Latin American Studies at Penn State University – Berks College. He is author of three books on anarchism in the Caribbean (Anarchist Cuba, Black Flag Boricuas, and Anarchists of the Caribbean) and co-editor of the award-winning edited collection In Defiance of Boundaries: Anarchism in Latin American History.

• Montse Feu recovers and examines the literary history of the Spanish Civil War exile in the United States, US Hispanic periodicals, and migration and exile literature at large. She is the author of Correspondencia personal y política de un anarcosindicalista exiliado: Jesús González Malo (1943-1965) (Universidad de Cantabria, 2016) and Fighting Fascist Spain: Worker Protest from the Printing Press (University of Illinois Press, 2020). She is co-editor of Writing Revolution: Hispanic Anarchism in the United States (University of Illinois Press, 2019).

• Spencer Beswick is a PhD candidate at Cornell University studying the history of anarchism and the left. A chapter he wrote based on the material for this presentation will be featured in a forthcoming book series on anarchism and punk published by Active Distribution. Spencer’s dissertation is tentatively titled “Punks, Panthers, and Feminists: American Anarchism in the Late Twentieth Century.”